its not about ply its about art
no
pushing greater ideas without elitism and holding on to accesability
lack of personal expression not pressure on voice of the people, but distraction in solitude
prevent the gaze that lets others control it
but organizers tell the world what is important to share and what aspects of life and living are meant to be looked at
No milk in the coffee
Pay attention to the greater good and float upon the
eternal cycle of fuel for the soul, and greatness produced to match
Folk tale of Species 12, Aximode, and The Wandering Bateman
(previously Aximode)
Aximov: Last cycle, you believed in the power of living in holes, and the act of burrowing deep down in order to reach valued true, underground atmosphere. How far did you dig?
TWB: It wasn’t until the last trampozal I realized how different these strung together experiences meant, and what that took away from the treasure cove.
—
carcoffagus brewed mightiliy and the streaks of orange sang lightly amongst the strobes of natural sound pocketed around the neighborhood
- experimentation is to try and see the world, to travel to different pockets of thought, hereditary and cyclic modes of living, filmed by living amongst one another. we look to see the world this year, as is lens of our previous thesis provocation, though for the pursuit of opening up to all others that focused, centralized humans live by. But rather not a festishization or colonist eyes, but for passions of life and proof of living for each and every of our sakes.
- ‘stain of our passing’
- embark, traversing mountains belonging to some hidden tale, where geology is not dictated by stone but of passion
- importance of discovering and playing out fantasizies of ourselves, not so much in 1to1 of tales with ogres and elden witches, but of environments and atmospjeres that protrude to each our minds in an exceptional way.
- over-arching approach to developing spaces as capsules, obviously and clearly acknowledged as limited to a certain life, a certain time, seeking sharply the niche and experimental edges of mixture representaion and expression, AKA ‘Outer-course’.llogic
- to stay critical whilst staying connected
- cannot find love and passion in something with underlying definition of meaning of life
Let me introduce you to this lifestyle. want to be able to say that
pace is important
cycles is cowardice and working like a job
feeling interest and
We answer to the presence of the mortal man to activate the restless, to preserve the unholy, and visualize conflict.
living skin considered
running the skin like a cycle
with structure and pressured modes of thinking
show old designs
we look to press interesting, culturally significant moments to pursue, develop, research, and work towards. all things we work on this year end Different than they have begun. we will have no pace, as in nothing is planned ahead of time. what calls to us calls
doing things when you are conscious of them is better than doing things when you are not conscious
first time we think about the space and it’s true purpose and function. thinking about what is important to push, what is in our depth and realm to push, what is in our best interest to push, and why do we push?
inspiring the work of others seems important. developing something over time and seeing its growth seems important. working on more substantial, singular grand-er concepts seems important. embracing one thing to its true fullest potential seems important. and that scale, or measurement of importance depends on why and who the work is created for. - what level of general public (from uninformed to expertise) is your medium of expectation.
thinking about specializing vs working towards many things at a time.
for all things can give experience and perspective
but the depth of one is where excellence and culmination of knowledge can be fully actualized or preserved
serving others vs serving what interests us
—